The front windows are a huge project for the Featured Artist, not just getting new things painted or pottery completed but setting up the display and creating all the title tags and the inventory responsibilities. BWG does an amazing job of advertising in local papers and with the Blue Whole Blog and email. A BIG thank you to all my friends at BWG.
Artist Carol Janda shares her pottery, watercolor and other artwork here, showing various steps in her artistic process from inspiration to execution.
Tuesday, March 31, 2015
Wednesday, March 11, 2015
Tuesday, March 10, 2015
Watching the Birds
Each figure has her own personality. They are made in several parts so they can be shipped or reassembled.
It's Going to Rain
This figure is13 inches tall, stoneware glazed with
my art nouveau glaze. It is suitable to be show inside or out .
Wednesday, January 21, 2015
Filling the Kiln
I still like making the dragonfly square vases and carved pots,each one has its own character and they have been popular at the galleries.
I had requests for frog pots so finally sculpted a
small frog and made a rough press mold so
the piece could be repeated. I add legs to some but don't worry about details as the glaze usually hides small details. This is the first square vase with frogs.
The kiln isn't quite full, frog square will just fit on top of a dragon fly square . I hope the wall piece with ladies will not crack, it is also press molded. Stoneware doesn't lent itself to slip pouring.
As I make things they have to rest in the kiln to dry.
I had requests for frog pots so finally sculpted a
small frog and made a rough press mold so
the piece could be repeated. I add legs to some but don't worry about details as the glaze usually hides small details. This is the first square vase with frogs.
The kiln isn't quite full, frog square will just fit on top of a dragon fly square . I hope the wall piece with ladies will not crack, it is also press molded. Stoneware doesn't lent itself to slip pouring.
As I make things they have to rest in the kiln to dry.
Saturday, December 20, 2014
Shino Glaze Combinations
designs.
Golden shino glaze works well over plum, just enough flow to add a moss like texture for the fern like trees.
Alone it varies from speckled tan with creamy off white and allows the red to show on the pine cones.
Golden shino glaze works well over plum, just enough flow to add a moss like texture for the fern like trees.
Alone it varies from speckled tan with creamy off white and allows the red to show on the pine cones.
Thursday, December 18, 2014
Saturday, December 13, 2014
Open Studio Sale
I haven't had Open Studio Days, even though I bought the signs and planned to do so because the Studio is always in use and usually messy. It's the usual "work in progress" which is also a chance to ask how things are make and see new things.
Thursday, November 13, 2014
Sunday, October 26, 2014
Wednesday, September 24, 2014
Steeple Rock-Hurricane Ridge ONP
Watercolor Framed 16x20 |
The road, wrapped abound the last turn before the top of this birds eye, feels like the thinner air and the sense of mountain majesty
that makes Olympic National Park such a treasure.
Thursday, August 21, 2014
New Glaze Shino Cone 6
Learning about the behavior of Shino Gold
over Plum glaze is exciting . It seems to be
a stable glaze which isn't running
off the pot but does a modest melting
slide which brings out the texture.
Wax resist and stencil design
held their own with nice soft edges.
over Plum glaze is exciting . It seems to be
a stable glaze which isn't running
off the pot but does a modest melting
slide which brings out the texture.
Wax resist and stencil design
held their own with nice soft edges.
Wednesday, August 20, 2014
Some New Stoneware
This firing added some new work using my art nouveau glaze
with 17% copper carb as apposed to 20% which seems
a little paler and may have slightly less texture.
The geranium leaf press mold connected by clay coils
and pebbles provides more changes in depth for glaze
to increases the texture.
The treatment of the foot is practical and enhances the vase.
with 17% copper carb as apposed to 20% which seems
The geranium leaf press mold connected by clay coils
and pebbles provides more changes in depth for glaze
to increases the texture.
The treatment of the foot is practical and enhances the vase.
Saturday, June 14, 2014
Leaf Dish
I put a ruler by this to show its size, "Quality Paint" is my art nouveau glaze which
has such wonderful texture at cone 6 and it is "guaranteed" :)
Monday, May 5, 2014
Gardening all year Round
Shot weed keeps me gardening all year long
the first signs of the round little devils
coming up in January.
The Wall Flowers will reward me
when they start to bloom in February.
I planted them from seed along the side walk where
they get warmth and full sun. As they bloom
out cutting them back seems to help. The plants have
survived for three years and produce a lot of seed.
I find babies here and there so maybe the birds like them too.
This spring there are changes in color and stripes in some new plants.

the first signs of the round little devils
coming up in January.
The Wall Flowers will reward me
when they start to bloom in February.
I planted them from seed along the side walk where
they get warmth and full sun. As they bloom
out cutting them back seems to help. The plants have
survived for three years and produce a lot of seed.
I find babies here and there so maybe the birds like them too.
This spring there are changes in color and stripes in some new plants.


Sunday, May 4, 2014
I Love Watercolors
It is like coming home to my self when I get back to painting watercolors, especially seascapes and landscapes. Visiting a place I've enjoyed to recapture the pleasure of that day using sketches and photos.
Last Light at Ruby Beach was accepted to the Sequim Arts Show
Playing in the surf seems to be the favorite children.
As a painting it challenged me to get the glitter of the surf on the beach.
Sunday, January 19, 2014
New Work for February Show
Getting ready for a Featured Artist show involves a number of steps, -try to create something new-make it- dry it -bisque fire at cone 06 - glaze it- glaze fire at cone 6 and clean up any rough edges.
I especially like the 12 inch ladies,thought they could be inside or out. The twisted tube pieces with birds are always a challenge in the glaze firing, just hope the birds will say put and not take flight into a piece they were never meant for. The small 8 tiles puzzle, like so many things with clay,suggested itself with the left over clay from the other tiles.
I especially like the 12 inch ladies,thought they could be inside or out. The twisted tube pieces with birds are always a challenge in the glaze firing, just hope the birds will say put and not take flight into a piece they were never meant for. The small 8 tiles puzzle, like so many things with clay,suggested itself with the left over clay from the other tiles.
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The white sea gulls make her a tall sculpture |
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These are just 4 inches, I'd like the idea to make larger plates.. |
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Should we go outside or stay in ? |
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We might like to stand on a stick in the garden |
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15 Birds |
8 Piece Puzzle |
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Red Wing Black Birds |
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Saturday, January 11, 2014
Featured Artist at Blue Whole in February
Blue Whole for February First Friday.
New stoneware pieces are to be bisque fired and glazed this week .
Wish me luck!
Saturday, October 19, 2013
Oil Monotypes
The process is fun even though it takes some muscle to crank the press handle. Paint is rolled onto the Beveled Plexiglass plate with a brayer which creates a very thin coating to be transferred to the paper. Some oil is removed from paints if they are very soft and oily and Liquin is added to speed drying. A complete design or painting can be created on the plate or layers on color plates can be added after the first plate is dry.
I like to layer because the glazing creates color showing through or strongly affecting the second layer. When areas are blocked out the first color is preserved. The visual affect is not the same as mixing the same two color together, the added colors play back and forth as transparent or denser overlays.
Working this way leaves a lot to chance, allowing the image to direct its next addition, block out or changes. Each additional color layer creates its own personality, mood and suggestions.
I like to layer because the glazing creates color showing through or strongly affecting the second layer. When areas are blocked out the first color is preserved. The visual affect is not the same as mixing the same two color together, the added colors play back and forth as transparent or denser overlays.
Working this way leaves a lot to chance, allowing the image to direct its next addition, block out or changes. Each additional color layer creates its own personality, mood and suggestions.
Often the image can be shown in all four rotations, each with its own suggestions, balance and impact..
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